The Veil of Veronica (offset Halo)
2012
video & sound
duration: infinite loop
exhibited:
Brittle Crazie Glasse, Islington Mill, Salford, 2012 →
Stations of the Cross, St Stephen Walbrook, London, 2017
from the series Stations of the Cross
bibliography:
Lucy Newman Cleeve, ‘Brittle Crazie Glasse’, catalogue essay →
Laura Moffatt, ‘Stations of the Cross and Resurrection’, Art & Christianity, No 90, Summer 2017
Muriel Zagha, ‘From Psycho to Transcendence’, Elephant, 2017
Stations of the Cross | Stations of the Resurrection, Stations 2017, catalogue, ISBN 978-1-5272-0874-2s →
© acknowledgements:
This Gun For Hire (1942) →
Halo (Texas) →
+
The Sixth Station: Veronica wipes the face of Jesus
A reading from The Innocents Abroad, by Mark Twain:
We were standing in a narrow street, by the Tower of Antonio. “On these stones that are crumbling away,” the guide said, “the Saviour sat and rested before taking up the cross. This is the beginning of the Sorrowful Way, or the Way of Grief.” The party took note of the sacred spot, and moved on. We passed under the “Ecce Homo Arch,” and saw the very window from which Pilate’s wife warned her husband to have nothing to do with the persecution of the Just Man. This window is in an excellent state of preservation, considering its great age. They showed us where Jesus rested the second time, and where the mob refused to give him up, and said, “Let his blood be upon our heads, and upon our children’s children forever.” The French Catholics are building a church on this spot, and with their usual veneration for historical relics, are incorporating into the new such scraps of ancient walls as they have found there. Further on, we saw the spot where the fainting Saviour fell under the weight of his cross. A great granite column of some ancient temple lay there at the time, and the heavy cross struck it such a blow that it broke in two in the middle. Such was the guide’s story when he halted us before the broken column.
We crossed a street, and came presently to the former residence of St. Veronica. When the Saviour passed there, she came out, full of womanly compassion, and spoke pitying words to him, undaunted by the hootings and the threatenings of the mob, and wiped the perspiration from his face with her handkerchief. We had heard so much of St. Veronica, and seen her picture by so many masters, that it was like meeting an old friend unexpectedly to come upon her ancient home in Jerusalem. The strangest thing about the incident that has made her name so famous, is, that when she wiped the perspiration away, the print of the Saviour’s face remained upon the handkerchief, a perfect portrait, and so remains unto this day. We knew this, because we saw this handkerchief in a cathedral in Paris, in another in Spain, and in two others in Italy. In the Milan cathedral it costs five francs to see it, and at St. Peter’s, at Rome, it is almost impossible to see it at any price. No tradition is so amply verified as this of St. Veronica and her handkerchief.
At the next corner we saw a deep indention in the hard stone masonry of the corner of a house, but might have gone heedlessly by it but that the guide said it was made by the elbow of the Saviour, who stumbled here and fell. Presently we came to just such another indention in a stone wall. The guide said the Saviour fell here, also, and made this depression with his elbow. There were other places where the Lord fell, and others where he rested; but one of the most curious landmarks of ancient history we found on this morning walk through the crooked lanes that lead toward Calvary, was a certain stone built into a house—a stone that was so seamed and scarred that it bore a sort of grotesque resemblance to the human face. The projections that answered for cheeks were worn smooth by the passionate kisses of generations of pilgrims from distant lands. We asked “Why?” The guide said it was because this was one of “the very stones of Jerusalem” that Christ mentioned when he was reproved for permitting the people to cry “Hosannah!” when he made his memorable entry into the city upon an ass. One of the pilgrims said, “But there is no evidence that the stones did cry out—Christ said that if the people stopped from shouting Hosannah, the very stones would do it.” The guide was perfectly serene. He said, calmly, “This is one of the stones that would have cried out.”