This site documents Mark Dean’s work as an artist. After studying photography and painting in the 1970’s, and playing in bands in the 1980’s, Dean began working with appropriated film and music to produce looped video and sound works:

‘In the 1990’s, the film archive (or, by this time, the video store) also proved a fertile feeding ground for the yBa generation, especially Douglas Gordon and Mark Dean… By contrast, Mark Dean’s appropriations from Hollywood are more like votive offerings; tiny scraps of footage – a gesture by Judy Garland, a look by Brando – isolated and looped to drain them of any hint of narrative (other than the broad narrative of celebrity), so we can adore and worship.’ – David Curtis, A History of Artists’ Film and Video in Britain (British Film Institute)

The ‘votive’ implications of Dean’s work took on new significance when he became an Anglican priest in 2011. However, as an artist he does not seek to make images of God but rather the representation of personhood; that is, the experience of being a person in a world where there is a God. Taking the cultural construction of subjectivity as a given, he is interested in what might remain beyond this understanding; this is the context in which he makes use of appropriation techniques:

‘… works by Mark Dean have managed to open out towards strong emotions while retaining the distinctive constructedness of visual art. The strong content lives and is transformed rather than functioning as reference pure and simple… It is important to stress this crafted opening to cathartic possibility and to the unconscious, because Dean has found means here that are primary, not borrowed from the films or music that are his materials.’ – Ian Hunt, Art Monthly

Source material used in accordance with Copyright and Rights in Performances (Quotation and Parody) Regulations 2014

Video and audio on this site is for demonstration purposes only, to document works of art exhibited elsewhere.

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